Calvin’s Happy Bicycle Show began as an experiment with rhythms, riffs, and layered synths that grew into something larger than each part. It became a creative pursuit marked by urgency, texture, and a love for the ancient psalms.

The band’s lineup brings together five distinct voices: Luther Caspar on drums, M. Henry Vermigli on keyboards, computer, and vocals, Charles H. Bucer on guitar, J. Knox Zanchi on bass, and Chrysostom Beza on vocals and guitar — or maybe not. Each name carries its own history, echoing voices long past, and together they form a chorus that feels both ancient and strangely new.

Their music is stitched together with themes of refuge, lament, kingship, and praise, borrowing lines that once belonged to choirs and cathedrals. What emerges is neither sermon nor spectacle but something in between — songs that carry the gravity of old confessions, refracted through synths, strings, and steel. Some call it post-punk, some call it dance rock. The band itself resists labels, quietly insisting only that these are psalms for another age. This is Affliction Illumination in electric form. Ride that Bike, Calvin!

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Calvin’s Happy Bicycle Show is a synthetic music project shaped by human creative vision and brought to life through composition, performance, and production with the aid of artificial intelligence.

Music and Lyrics developed and distributed by Joseph Spurgeon under Grace & Truth Records for promotion.